歌舞伎D-13

Jayanagi

Jayanagi — The Snake Willow

Japanese title: 蛇柳(じゃやなぎ)

Also written as: 蛇柳 / Jayanagi / The Snake Willow

Kabuki Jūhachiban
01SYNOPSIS

The Story in Three Lines

Kabuki loses nothing when you know the story in advance. Start with just three lines.

  1. 01

    A tale of the uncanny, said to draw on the legend of the "snake willow" of Mt. Kōya—a story of jealousy and lingering resentment.

  2. 02

    Danjūrō IV first staged it in 1763; the script has not survived.

  3. 03

    The hero is said to have been possessed by the vengeful spirit of a young woman—female jealousy rendered through the force of aragoto.

02WHAT TO WATCH

Three Things to Watch For

These three points are all the preparation you need. On the day, simply give yourself to the stage.

01

Possession on stage

A woman's spirit enters the hero's body and his whole bearing transforms—possession itself as aragoto spectacle, singular among the eighteen.

02

The Kōya legend

Behind the play stands the legend of attachment dwelling in a willow tree; something not quite human rises through the stage.

03

Back from oblivion

Its text lost and its stage life long extinguished, the play was revived with a newly written script in 1947.

03CHARACTERS

Characters

The protagonist (role names vary by revival)
The strongman overtaken by a young woman's vengeful spirit; the transformation is the heart of the role.
04STAGECRAFT

Stagecraft and Highlights

First staged by Danjūrō IV in 1763. With no surviving text, all that is recorded is that it expressed the force of a woman's jealousy through aragoto; the rest remains in shadow.

In 1947 Ichikawa Sanshō V revived it with a new script, and further revivals have been attempted since—an ongoing effort to breathe modern form into a lost play.

05NARITAYA

The Ichikawa Connection

Kabuki Jūhachiban

One of the Kabuki Jūhachiban, associated with Danjūrō IV. Its modern revival was the work of Ichikawa Sanshō V, posthumously honoured as Danjūrō X—part of the family's long labour of restoring its own repertory.

06IN HIS WORDS

In Danjūrō's Words

In preparation

Danjūrō's own words on this play will appear here once they have been recorded and verified with him. We never invent or paraphrase his remarks.

Related terms

Sources

Author
D-13 Editorial
Published
Aug 15, 2026
Updated
Aug 15, 2026