歌舞伎D-13

Fudō

Fudō — The Immovable Deity

Japanese title: 不動(ふどう)

Also written as: 不動 / Fudō / Fudo

Kabuki Jūhachiban
01SYNOPSIS

The Story in Three Lines

Kabuki loses nothing when you know the story in advance. Start with just three lines.

  1. 01

    In Fudō, the deity Fudō Myōō—object of the Ichikawa Sōke's devotion at Naritasan Shinshōji temple—manifests directly upon the stage.

  2. 02

    Less a plot-driven drama than a theatrical epiphany: what the audience comes to see is the god's very form.

  3. 03

    Today the deity most often appears within full-length stagings of Narukami Fudō Kitayama Zakura, descending to still the turmoil of the story.

02WHAT TO WATCH

Three Things to Watch For

These three points are all the preparation you need. On the day, simply give yourself to the stage.

01

The living statue

The actor holds utterly still, like a temple statue of Fudō—one of kabuki's rare moments where stillness itself is the spectacle.

02

Faith of the Naritaya

Born of the family's devotion to Naritasan; Edo audiences are said to have thrown coin offerings toward the deity on stage.

03

The name behind the name

The Sōke's stage name "Naritaya" comes from this bond with Naritasan—and Fudō makes that bond visible.

03CHARACTERS

Characters

Fudō Myōō
The Immovable Wisdom King, fierce protector of the faithful, portrayed in the very image of his temple statues—sword and rope in hand.
04STAGECRAFT

Stagecraft and Highlights

Danjūrō II is said to have first performed the role in 1697. He was believed to have been born in answer to his father's prayers to Fudō Myōō at Naritasan—play and family faith are inseparable.

A kumadori design particular to Fudō Myōō is used for the role. After a long absence from the stage, the piece was revived at the National Theatre in 1967 and has since been performed within Narukami Fudō Kitayama Zakura.

05NARITAYA

The Ichikawa Connection

Kabuki Jūhachiban

One of the Kabuki Jūhachiban, and the most direct theatrical expression of the family's Naritasan faith—bound up with the very origin of the stage name "Naritaya."

06IN HIS WORDS

In Danjūrō's Words

In preparation

Danjūrō's own words on this play will appear here once they have been recorded and verified with him. We never invent or paraphrase his remarks.

Related terms