歌舞伎D-13

shiranami-mono

白浪物

しらなみものkabuki's "thief plays"

INSTANT ANSWER

Shiranami-mono are kabuki's "thief plays"—dramas with charismatic robbers as their heroes, which flourished at the end of the Edo period, above all in the work of Kawatake Mokuami.

Shiranami-mono is the collective name for kabuki plays whose protagonists are thieves. Shiranami—"white waves"—is an old euphemism for robbers, said to derive from the "White Wave bandits" of Later Han China who hid in the White Wave valley. Placing outlaws of duty and feeling at center stage, the genre mirrors the temper of the late Edo period.

The playwright most identified with the genre is Kawatake Mokuami. His Aoto Zōshi Hana no Nishiki-e—known as Shiranami Gonin Otoko, "The Five Thieves"—is said to have premiered at the Ichimura-za in Edo in 1862, and the roll-call speeches of its five robbers, led by Benten Kozō, remain beloved showpieces of flowing stage language.

The pleasures of the genre are distilled in two scenes of Shiranami Gonin Otoko: "Hamamatsuya" and the assembly at the Inase River. Benten Kozō, caught posing as a samurai's daughter to blackmail a dry-goods store, drops the disguise with the celebrated declaration in 7-5 meter beginning "Shirazā itte kikaseyashō"—"If you don't know me, let me tell you"—one of kabuki's great set-piece speeches. In the assembly scene that follows, the five thieves line up, umbrellas in hand, each announcing himself in turn.

Shiranami-mono belong to kabuki as a whole rather than to any single house. Mokuami is said to have written many of his raw domestic plays for Ichikawa Kodanji IV in the last years of Edo, and later to have supplied works to Ichikawa Danjūrō IX in the Meiji era—his pen deeply entwined with actors bearing the Ichikawa name.

The five thieves of Shiranami Gonin Otoko lined up abreast at the Inasegawa river bank, in matching robes and each holding a paper umbrella
Utagawa Kunisada, “The Line-up at the Inase River” from Shiranami Gonin Otoko (The Five Thieves), 1862歌川国貞『稲瀬川勢揃いの場』早稲田大学坪内博士記念演劇博物館(パブリックドメイン, Wikimedia Commons)
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A video commentary by Danjūrō XIII is in preparation.

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